Episode #139
A Few Days After #138
TEASER
INT: MORIANI HOME (LIVING ROOM)
MORNING
The ringing of the telephone draws a hurried
Nick
into the living room. With brisk steps, he makes his way over to the long
oak table upon which the phone rests, next to a multicolored glass bowl filled
with decorative marbles. He lifts the old-fashioned phone off the receiver
and brings it to his ear.
NICK: Nick Moriani speaking.
He listens as the voice on the other end identifies itself and then quickly
adds the reason for the call.
NICK: What seems to be the problem?
***
INT: ANDYS APT. (BEDROOM)
MORNING
Danielle
breathes out through her nose as she rolls over. With a yawn, her eyelids
split apart. They continue to spread open, revealing the familiar mint green
color of the sheets and the gleaming winter sunlight flooding the room. She
moves her head just slightly, raising her eyes and they connect with
Andys
smiling face.
ANDY: Good morning, beautiful.
Danielle blinks a few times as the fog of sleep begins to lift.
DANIELLE: How long have you been awake?
ANDY: Just a few minutes. I was watching you sleep.
Without responding, Danielle sits up, inadvertently pushing away Andys
arm, which has been lying across her body.
ANDY: Is something the matter?
***
INT: FISHER HOME (KITCHEN)
MORNING
Bill
is lingering over the coffee pot when he hears cushioned footsteps behind
him. Turning, he sees
Paula
entering in her fluffy, pale blue robe and matching slippers a Christmas
gift from
Sarah
and
Brent.
BILL: Good morning.
He lifts the mugs off the counter and swoops over to his wife, to whom he
hands one.
PAULA: Thank you.
She takes a prolonged sip. Life spreads through her face as the steaming
beverage fills her body.
PAULA: Are
Molly and
Jason
gone already?
BILL: Yep. Molly already left for work and Jays supposed to be at the
rink for another hour.
PAULA: Good
She drags the word out, trying to work up the nerve to bring up the topic
thats been dominating her mind lately.
PAULA: Because its time we had a talk.
ACT ONE
INT: MORIANI HOME (LIVING ROOM)
MORNING
As Nick listens to the voice on the telephone, worry begins to work its magic
on him. His fingers tingle and his stomach is heavy. However, years of training
keep all of this out of his speech.
NICK: No need to worry. Itll be taken
The voice on the other end silences him with some ominous comment.
NICK: Yes. Its under control, dont worry.
He pauses to listen.
NICK: I promise
Yes. Fine.
He resists the urge to slam down the phone, but he does hang up without any
sort of goodbye. The moment the phone is back on the receiver, the stopped-up
air in his lungs comes gushing out in a desperate rush.
NICK: Dammit! What am I going to do now?
He brings an angry hand crashing down upon the table, but his sotto voce
voice is far less steady than it was on the phone.
***
INT: ANDYS APT. (BEDROOM)
MORNING
ANDY: Is something the matter?
Danielle considers the question, realizing that shes not certain whether
her response should fall under the category of lying.
DANIELLE: No. No, Im fine.
ANDY: Good
I wouldnt want you to be preoccupied.
A wickedly playful smile accentuates his dimples as he rolls over onto his
side, kicking one leg up over her body. His nose and lips nuzzle up against
her neck.
Danielle lies helplessly, accepted his charged affection. It continues like
this for just seconds, as Andy flings the comforter away and pulls himself
atop his barely clad fiancee.
DANIELLE: Andy?
ANDY: Yeah?
His voice is muffled, as his lips dive down to the exposed part of her chest.
DANIELLE: Andy!
She sounds far more forceful this time, enough to make him stop and look
up at her.
ANDY: What?
DANIELLE: We cant do this.
ACT TWO
INT: FISHER HOME (KITCHEN)
MORNING
BILL: Talk about
?
Paula gazes down into the calm brown sea of her coffee, but it does little
to calm the storm brewing within her.
PAULA: You know.
BILL: Paula
His grumbling tone doesnt win any points with her.
PAULA: Enough fooling around! On New Years Eve, we said we would discuss
it, but youve been avoiding it ever since.
Bill runs a hand through his hair, an elegant mixture of interspersed brown
and silver.
BILL: Theres nothing else to say!
Her wide eyes show that this is the most offensive thing he could have said.
PAULA: Theres everything to say!
BILL: Like what? Its been on your mind a lot lately, and its
upsetting you? Weve been over that how many times?
PAULA: And thats as far as weve gotten!
BILL: How much further can we go? Do you
He freezes, his face slipping into a mask of outrage.
BILL: Oh, no! Youre not thinking
PAULA: Yes, I am.
They remain stuck in an unwavering stare, bound so tenuously by strands of
boiling tension.
PAULA: Its time we told the kids.
***
INT: ANDYS APT. (BEDROOM)
MORNING
Andys face is devoid of any exaggerated expression that might convey
bewilderment. It is simply frozen: mouth open just slightly, eyes full of
uncertainty.
ANDY: What?
DANIELLE: We-we cant do this.
She shifts just enough to get him to roll off of her. She feels compelled
to add something more.
DANIELLE: Its just
Im not in the mood right now.
Andy skips an expression of relief and goes right to one of disappointment.
DANIELLE: Actually, there was something else I was hoping we could do.
Numerous possibilities leap to Andys mind, but he can tell all too
clearly that none of them is the one of which Danielle is speaking.
DANIELLE: I was thinking we could set a wedding date.
A different kind of glow manifests itself on his face.
ACT THREE
INT: MORIANI HOME (LIVING ROOM)
MORNING
Nick is still brooding over the telephone when
Ryan walks
in, outfitted in a pair of khaki pants and a navy blue sweater. He watches
his father in silence and with a bit of confusion before clearing throat
rather loudly. A startled Nick spins around.
RYAN: Whats the matter?
NICK: I just got off the phone with Esposito.
Ryan comes closer, seeing that Nick isnt going to move.
RYAN: And
?
NICK: Were screwed. Im talking screwed like you cant even
begin to imagine.
RYAN: Why?
NICK: The whole thing with himit fell through.
RYAN: So what, hes pissed? Dad, hes not gonna try anything just
cause this deal didnt work out
NICK: Thats not all.
RYAN: Well, what, then?
His voice rises with frustration, and his hands join in for emphasis.
Nick finally takes a few steps, thought its only to pace.
NICK: We owe him money.
RYAN: How much?
NICK: A lot.
RYAN: How much is a lot.
Nick pauses, debating how to approach the inquiry.
NICK: Remember that whole mess in Jersey with the warehouse?
Ryan nods.
NICK: Well, triple that, give or take a couple dollars.
His quiet worry immediately spreads to Ryan.
RYAN: My God
what are we gonna do?
Nick can think of no better response than to shake his head.
***
INT: ANDYS APT. (BEDROOM)
MORNING
Danielle is relieved to see all disappointment melt from Andys face.
ANDY: What a wonderful idea.
Tempted though he is to give her just a gentle kiss, he doesnt feel
right about it.
ANDY: So what do you have in mind?
DANIELLE: I dont know. Summer?
ANDY: Summer is so far off!
DANIELLE: Well, we need planning time.
Andy dismisses this with a flip of the hand.
ANDY: Not that much. Besides, its not like we have to worry about saving
up for it.
DANIELLE: But what about
your
mom locking you out of the joint accounts?
ANDY: Miraculously, I have access to them again. Dont worry about it.
He allows just enough of a lull to steer things back on-topic.
ANDY: How about April? The first weekend?
DANIELLE: Well
What is that, like the 2nd?
ANDY: I believe so. Do you like that?
DANIELLE: Yeah, I guess. I just hope we have enough time.
ANDY: Dont give it another thought. It will all work out fine.
Having forgotten the intimacy issue of just minutes ago, a beaming Andy reaches
out an arm and pulls his bride-to-be into a romantic cuddle.
***
INT: FISHER HOME (KITCHEN)
MORNING
BILL: Absolutely not!
He slams his mug down on the counter with enough force to send scalding droplets
of coffee sailing through the air. Several land on his own hand, but he hardly
notices.
PAULA: Why not? Bill, this is my issue! Im the one who should be ashamed!
But you know what? Im over it! I made a terrible mistake Ive
come to terms with it. Why cant you?
He sputters in answering.
BILL: I-I already have!
PAULA: Then why do we have to keep it from the kids?
Realizing the level their voices have reached, Bill rubs his left temple
with his index and middle fingers in a useless attempt to fight off the
beginnings of an awful headache. He fills the thick silence with a deep breath
before continuing in a quieter but no less stern voice.
BILL: Because
we agreed to keep it between us. How many times over
the last thirty four and a half years have we said that?
PAULA: Plenty. But bill, the kids arent ten anymore.
Tim
is already curious about what was going on with me on Thanksgiving.
BILL: Theres no way he can ever find out, so why make it worse by telling
him or Molly, or Sarah, or Jason?
PAULA: Theyre adults now! They dont need to be protected!
BILL: What about us?!?
The words come roaring out with such fire that Paula actually draws a sharp
breath and waits several long seconds before releasing it.
PAULA: I think Im beginning to see what this is about.
Bill stares her down, as if challenging her to go on. He seems to change
his mind suddenly, though; with a dismissive wave of the hands, he walks
right past her, grabbing his keys off the counter as he does so.
BILL: I need to get to the restaurant.
He says nothing more. Paula, suddenly wanting to have the silence all to
herself, does nothing to keep him from going. She stays in the same spot,
and moment later hears the opening and closing of the front door.
Except for her, the house is now empty, and her thoughts seize the opportunity
to dash through her mind with abandon. The one that keeps pushing itself
to the forefront, though, is particularly troublesome.
In more than thirty four years, its never gotten this bad. Hes
never taken it so personally well, not since
With a huff, Paula heads for the stairs, and what will hopefully be a relaxing
hot shower.
Somehow, she doubts it will help.
END OF EPISODE #139
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